Azed Competition No. 1004  Azed Slip  |  ◀  1000  |  1008  ▶  |  Other competitions  |  ordStats
No.DateClue wordClue typeClues
1004 Aug 1991OIL PAINTINGS normal27


AwardClue writerClueExplanation
FirstM. EarleBacon’s stuff we turn slain pig intoanag.; ref. Francis B.
SecondR. J. HooperOne lot surprisingly paraded around past home in G. and in in anag. incl. I + in G, S, & lit; ref. ‘Ruddigore’
ThirdE. J. BurgeInitials ‘P.G.’ on tips? They can be seen in a particular section of Sainsbury’sanag.; ref. Sainsbury wing of Nat. Gallery
VHCD. AshcroftHey, taking fifty golfclubs round isn’t common! Gallery objectsoi + ain’t in L Pings (brand name)
VHCMrs A. R. BradfordMay be life (still) in pilot, in gas fittinganag.
VHCC. J. BroughamBacon pieces selected for hanging, say, are not confined to pickled pig’s loinain’t in anag.; ref. Francis B.
VHCC. M. EdmundsPickled pig’s loin sandwiches are not unrefined. Bacon creations, for example, that are Artain’t in anag.; ref. Francis B.
VHCC. J. FeetenbyThey’ll have initials on, those of Goya and Picasso possiblyanag. incl. G, P, & lit.
VHCDr I. S. FletcherWorks on canvas setting top in sailinganag.
VHCS. C. Ford‘Pictures at an Exhibition’ might appear if listing piano worksanag.
VHCP. D. GaffeyRaw energy and zip’s evident about wild Tina Turner’s greatest hitsoil + anag. in ping’s; ref. J. M. W. Turner
VHCN. C. GoddardPointing sail to wind – a line of canvasanag.
VHCG. I. L. GraftonConstables maybe sad, plodding it in beat, missing the old coppersanag. less d’s; ref. John C.
VHCR. W. HawesOne might decipher initials – those of Paul Gauguin – on hereanag. incl. P, G, & lit.
VHCR. E. KimmonsInitials N.P. go on works by Nicolas Poussin?anag.; on = tipsy
VHCA. LawriePlain gits? No ——, I fancy!anag. & lit.
VHCMrs J. MackieConstables perhaps, dressed in plain togs to catch oneI in anag.; ref. John C.
VHCD. F. ManleyPositions in gallery abandoned: —— sorely needing restoration?comp. anag. & lit.
VHCT. J. MooreyInitials PG on works, they could be Paul Gauguin’sanag.
VHCC. J. Morse‘What plain folk are not’ isn’t plain – I go for riddlinganag.
VHCR. PhillipsOne’s stalled by blasted point and signal works (possibly due to pressure on tubes)I in anag.; i.e. tubes of paint
VHCD. Price JonesRavel nearly spoilt giant in ‘Pictures at an Exhibition’anag. incl. spoil(t); ref. Ravel’s orchestration of Mussourgsky’s piece
VHCT. E. SandersConstable’s work generally isn’t policing a beat without a bit of crimeanag. less c; ref. John C.
VHCM. SandersonThey represent G. Panini’s toilanag. & lit.; ref. 18c Italian painter
VHCW. J. M. ScotlandG. Panini’s toil displayed?anag. & lit.; ref. 18c Italian painter; display = spread out, unfold
VHCR. C. TeutonIs Panini’s toiling represented in ——?comp. anag. & lit.; ref. Giovanni P.
VHCG. H. WillettWith which RA could display inspirational touch of geniuscomp. anag. incl. g, & lit.

HCs in competition 1004 awarded to:

Mrs G. M. BarkerS. GoldieG. MarshallA. G. Ray
M. BarleyR. R. GreenfieldG. D. MeddingsA. Rivlin
J. R. BeresfordB. GreerC. G. MillinD. R. Robinson
Mrs K. BissettJ. F. GrimshawJ. J. MooreJ. H. Russell
Mrs F. A. BlanchardD. HarveyR. S. MorseDr W. I. D. Scott
P. A. BullP. F. HendersonT. W. MortimerD. P. Shenkin
B. BurtonV. G. HendersonR. A. MostynA. J. Shields
C. J. & M. P. ButlerJ. P. H. HirstR. F. NaishJ. W. Spark
Mrs P. C. CarmichaelR. F. A. HorsfieldA. NashP. A. Stephenson
M. CoatesR. H. F. IshamMrs P. NormanR. I. Sutherland
E. DawidW. JacksonS. H. OlorenshawA. J. Wardrop
R. DeanF. P. N. LakeS. J. O’BoyleMrs M. P. Webber
V. DixonMrs M. LazaridesF. R. PalmerD. Williamson
B. FrancoJ. P. LesterR. J. PalmerW. Woodruff
F. D. GardinerR. K. LumsdonG. Perry 
D. GoddenR. C. MallinsonB. A. Pike